Asthenia No. 6 by Benedikt Bock, Manolis D. Lemos, Christos Delidimos, Alex Eagleton, Florent Frizet, Pinelopi Gerasimou, Delia Gonzalez, Charles Irvin, Ula Lucinska and Michal Knychaus, Albert Mayr, Natasha Papadopoulou, Lukas Panek, Tula Plumi, Erica Scourti, Goncalo Sena, Valinia Svoronou, Alexandros Vasmoulakis with Paris Koutsikos & Christina Theisen, Vincent Verhoef, Faye Wei Wei

'Dance first, think later. It’s the natural order’ Samuel Beckett

Dance is an inhibition, thinking is pragmatic. Do these boundaries meet? Inhibitions morph from autonomous fragments of the brain. We all have them but to what extent do we utilise them? Thinking is a process of logic, some form of reason for that…

Do you dance with your eyes closed or with your eyes open? Cavities erupt from the subconscious when you close your eyes. Yet when you open them do you see it for what it is worth? You are standing on the tight rope and you slip. Do we fall with our eyes open or have we just forgotten to open them?

A consciousness grows out of rhythm, the foetus dances in the womb.

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PRESS
Daily Lazy

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Valinia Svoronou, Knot 1-6, 2017
Vincent Verhoef, JOHN AND HIS FRIENDS, 1992-2018
Natasha Papadopoulou, These Eyes Were Made For Asking, 2018
Amalia Vekri, The Hunter, …And I Watched Everything Melt, Snake Charmer, acrylic on canvas, 2018

Amalia Vekri, The Hunter, …And I Watched Everything Melt, Snake Charmer, acrylic on canvas, 2018

Amalia Vekri, The Hunter, …And I Watched Everything Melt, Snake Charmer, acrylic on canvas, 2018
Goncalo Sena, Walls and Torsos, 2017
Alex Eagleton, The Lair, 2018

Goncalo Sena, Walls and Torsos, 2017
Alex Eagleton, The Lair, oil bar on plexiglass, attached with TV mount, 62 x 50cm, 2018

Goncalo Sena, Walls and Torsos, 2x photocopy paper, 29.7 x 42cm, 2017

Alex Eagleton, Hugo Boss, 2018
Christos Delidimos, So Many Wrongs, So Many Cracks, 2018
Christos Delidimos, At least they died together, 2018
Goncalo Sena, Walls and Torsos, 29.7x42cm, 2017

Christos Delidimos, So Many Wrongs, So Many Cracks, mixed media, 30 x 30 x 10 cm, 2018

Charles Irvin, American Eyeball, 2017
Valinia Svoronou, Knot 1-6, 2017

Charles Irvin, American Eyeball, oil on canvas, 80 x 60 cm, 2017

Charles Irvin, American Eyeball, 2017
Valinia Svoronou, Knot 1-6, 2017
Vincent Verhoef, JOHN AND HIS FRIEND, 1992-2018
Natasha Papadopoulou, These Eyes Were Made For Asking, 2018

Valinia Svoronou, Knot 1-6, varnished bronze, 30 x 3 cm, 2017

Natasha Papadopoulou, These Eyes Were Made For Asking, leather, printed tights, can, speaker, 120 x 100 x 20 cm

Florent Frizet, Untitled (Pleiade), 2017
Inside Job (Ula Lucińska, Michał Knychaus), Inside Job is Razor Sharp, 2017
Pinelopi Gerasimou, being here and being elsewhere, 35 mm colour film - Inkject print on Fine Art paper

Inside Job (Ula Lucińska, Michał Knychaus), Inside Job is Razor Sharp, aluminium, chain and laser cut engraved pendant, 23 x 10 cm, 2017

Florent Frizet, Untitled (Pleiade), oil on canvas, 30 x 40 cm, 2017

Pinelopi Gerasimou, being here and being elsewhere, 46 x 65cm, 35 mm colour film - Inkject print on Fine Art paper

Erica Scourti, Blot Jobs, inkjet print on paper, 2018
Alexandros Vasmoulakis with Paris Koutsikos, Monument, 2016

Erica Scourti, Blot Jobs, 34 x 25 cm, inkjet print on paper, 2017

Alexandros Vasmoulakis with Paris Koutsikos, Monument, 90 x 90cm, inkjet print on paper, 2016

Faye Wei Wei, Clay Butterfly, 30 x 21cm, charcoal on paper, 2018

Faye Wei Wei, Who Tolls the Birthday Bell, Mirror, Leopold, 30 x 21 cm, charcoal on paper, 2018

Albert Mayr, , 3x screenprint on paper, 21 x 29.7cm, 2018

Tula Plumi, Lines and Circles Series, 77 x 50 cm, stainless steel, painted steel, 2015
Manolis D. Lemos, Tomorrow’s Corporate Love (Hebei Blinding Sun), PVC strip, Shellac, inkjet print on paper, aluminium frame, dimensions variabale, 2018
Benedikt Bock, Text Walks, 2018

Tula Plumi, Lines and Circles series, 77 x 50 cm, stainless steel, painted steel, 2015

Benedikt Bock, Text Walks, sculpture stands, unfired ceramic, 35 x 12 x 7 cm, 2018

Delia Gonzalez, In Remembrance, 16mm film, 2010-12
Buggy Gonzalez, drawing, 10 x 10 cm, 2018


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Photography by Athanasios Gatos